Dramatic Contexts
By Kate Garrett
Refrencing.
Figure 1.1
Davis, G. and Hall, M. (2012). The Makeup Artist Handbook. 2nd ed. Burlington, MA: Focal Press, p.25.
Figure 1.2
Layers of thick (non-hairy) skin and thin (hairy) skin. (2014). [online image] Available from: http://hair-and-makeup-artist.com/skin-structure/ [Accessed 20 October 2014]
Figure 2.0
Acne with reactive hyperpigmentation; before treatment. (2014). [online image]. Available from: http://emedicine.medscape.com/article/1069804-treatment [Accessed 20 October 2014]
Figure 2.1
Acne Rosacea. (2013). [online image]. Available from: http://rosaceatreatmentcentre.com/rosacea-treatment-causes-and-effects/ [Accessed 20 October 2014]
Figure 2.2
Psoriasis. (2014). [online image]. Available from: http://www.medicinenet.com/psoriasis/page2.htm [Accessed 20 October 2014]
Figure 2.3
Ezcema of Arms and Hands – “Atopic Dermatitis”. (2014). [online image]. Available from: http://www.boogordoctor.com/natural-eczema-remedies/ [Accessed 20 October 2014]
Figure 2.4
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.61.
Figure 2.5
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.63
Figure 2.6
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.66.
Figure 2.7
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.63.
Figure 2.8 Varicose veins
The vein institute, (n.d.). Laser treatment for varicose veins,spider veins treatment toronto,alternative treatments for varicose veins. [online image] Available at: http://www.theveininstitute.com/evla.php [Accessed 4 November 2014].
Figure 2.9
The vein institute, (n.d.). Compression stockings,endovenous laser treatment,venous stasis ulcers treatment,Toronto. [online image] Available at: http://www.theveininstitute.com/leg_spider.php [Accessed 4 November 2014].
Figure 2.1.0 Cafe au lait Macule
This image displays a café au lait macule, a flat area of pigment that is usually not associated with other problems. (2013). [online image] Available from: http://www.skinsight.com/infant/cafeauLaitMacule.htm [Accessed 4 November 2014].
Figure 2.1.1 Port wine stain
This is a three-month-old infant with a port-wine stain. (2013). [online image] Available from: http://www.skinsight.com/infant/port-WineStain.htm [Accessed 4 November 2014].
Figure 2.1.2 Strawberry Hemangioma
The face, neck, and scalp are typical locations for hemangiomas. (2013). [online image] Available from: http://www.skinsight.com/infant/infantileHemangioma.htm [Accessed 4 November 2014].
Figure 2.1.3
Congenital melanocytic nevi often have variations in color and must be checked carefully for change. (2013). [online image]. Available from: http://www.skinsight.com/infant/congenitalMelanocyticNevus.htm [Accessed 4 November 2014].
Figure 2.1.4
Reduce bruising before any treatment. (2013). [online image]. Available from: http://clinic42.co.nz/news/reduce-bruising-before-any-treatment [Accessed 4 November 2014]
Figure 3.0 Khufu, 2nd Pharaoh of the 4th Dynasty
Khufu, 2nd Pharaoh of the 4th Dynasty. (n.d). [online image]. Available from: http://portraittimeline.com/2000%27s%20B%20Portraits.htm [Accessed 21 October 2014]
Figure 3.1 Djoser, 1st Pharaoh 3rd Dynasty
Djoser, 1st Pharaoh 3rd Dynasty. (n.d). [online image]. Available from: http://portraittimeline.com/2000%27s%20B%20Portraits.htm [Accessed 21 October 2014]
Figure 3.2 Psammticus, 1st Pharaoh of the 26th Dynasty
Psammticus, 1st Pharaoh of the 26th Dynasty. (n.d). [online image]. Available from: http://portraittimeline.com/600%27s%20B%20Portraits.htm [Accessed 21 October 2014]
Figure 3.3 Portrait of Antonine youth Sotheby's
Portrait of Antonine youth Sotheby's. (2014). [online image]. Available from: http://www.classics.ox.ac.uk/sculpture.html [Accessed 21 October 2014]
Figure 3.4 Cast of Old Fisherman Ashmolean Museum
Cast of Old Fisherman Ashmolean Museum. (2014). [online image]. Available from: http://www.classics.ox.ac.uk/sculpture.html [Accessed 21 October 2014]
Figure 3.5 Cast of Kore Ashmolean Museum
Cast of Kore Ashmolean Museum. (2014). [online image]. Available from: http://www.classics.ox.ac.uk/sculpture.html [Accessed 21 October 2014]
Figure 3.6 Bust of Roman Emperor Vitellius Modern copy of an antique head
Bust of Roman Emperor Vitellius Modern copy of an antique head. (n.d.). [online image]. Available from: http://www.visual-arts-cork.com/sculpture/portrait-busts.htm [Accessed 21 October 2014]
Figure 3.7 Head of Emperor Constantine Part of the colossal statue of the Roman leader Constantine
Head of Emperor Constantine Part of the colossal statue of the Roman leader Constantine. (n.d.). [online image]. Available from: http://www.visual-arts-cork.com/sculpture/portrait-busts.htm [Accessed 21 October 2014]
Figure 3.8 The Arnolfini Portrait
Van Eyck, J. The Arnolfini Portrait. (n.d). [online image] Available from: http://www.nationalgallery.org.uk/paintings/jan-van-eyck-the-arnolfini-portrait [accessed 21 October 2014]
Figure 3.9 Saint Catherine of Alexandria
Raphael. Saint Catherine of Alexandria. (n.d). [online image] Available from: http://www.nationalgallery.org.uk/paintings/raphael-saint-catherine-of-alexandria [Accessed 21 October 2014]
Figure 3.1.0 Girl with a Pearl Earring
Vermeer, J. Girl with a Pearl Earring. (n.d). [online image]. Available from: http://www.visual-arts-cork.com/genres/baroque-portraits.htm [Accessed 21 October 2014]
Figure 3.1.1 Portrait of Pope Innocent X
Velazquez, D. Portrait of Pope Innocent X. (n.d). [online image]. Available from: http://www.visual-arts-cork.com/genres/baroque-portraits.htm [Accessed 21 October 2014]
Figure 3.1.2 Self-Portrait: Torn Between Music and Painting
Kuffmann, A. Self-Portrait: Torn Between Music and Painting. (n.d). [online image] Available from: http://www.visual-arts-cork.com/old-masters/angelica-kauffmann.htm [Accessed 21 October 2014]
Figure 3.1.3 Portrait of Queen Marie Antoinette
Vigee-Lebrun, E. Portrait of Queen Marie Antoinette. (n.d). [online image] Available from: http://www.visual-arts-cork.com/old-masters/vigee-lebrun.htm [Accessed 21 October 2014]
Figure 3.1.4 Marilyn
Warhol, A. Marilyn. (n.d). [online image] Available from: http://www.visual-arts-cork.com/genres/portraits-surrealist-pop-art.htm [Accessed 21 October 2014]
Figure 3.1.5 Self Portrait with Cat & Monkey
Kahol, F. Self Portrait with Cat & Monkey. (n.d). [online image] Available from: http://www.visual-arts-cork.com/genres/portraits-surrealist-pop-art.htm [Accessed 21 October 2014]
Figure 3.1.6 Study After Velazquez's Portrait Of Pope Innocent X
Bacon, F. Study After Velazquez's Portrait Of Pope Innocent X (n.d). [online image] Available from: http://www.visual-arts-cork.com/irish-artists/francis-bacon.htm [Accessed 21 October 2014]
Figure 4.0 Thomas Howard, 14th Earl of Arundel, 4th Earl of Surrey and 1st Earl of Norfolk (1585-1646), patron of art, collector and politician, with his grandson, Thomas Howard, 5th Duke of Norfolk (1627-1677)
Van Dyke, A. Thomas Howard, 14th Earl of Arundel, 4th Earl of Surrey and 1st Earl of Norfolk (1585-1646), patron of art, collector and politician, with his grandson, Thomas Howard, 5th Duke of Norfolk (1627-1677). (n.d). [online image] Available from: http://www.gac.culture.gov.uk/work.aspx?obj=14954 [Accessed 22 October 2014]
Figure 4.1 Thomas Howard, 14th Earl of Arundel, 4th Earl of Surrey and 1st Earl of Norfolk
Van Dyke, A. Thomas Howard, 14th Earl of Arundel, 4th Earl of Surrey and 1st Earl of Norfolk. (2014) [online image] Available from: http://www.npg.org.uk/collections/search/portrait/mw00194/Thomas-Howard-14th-Earl-of-Arundel-4th-Earl-of-Surrey-and-1st-Earl-of-Norfolk?sort=default&LinkID=mp00145&search=sas&sText=Thomas+Howard&role=sit&rNo=2 [Accessed 22 October 2014]
Figure 4.2 Thomas Howard, 14th Earl of Arundel, 4th Earl of Surrey and 1st Earl of Norfolk
Mytens, D. Thomas Howard, 14th Earl of Arundel, 4th Earl of Surrey and 1st Earl of Norfolk. (2014) [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw07037/Thomas-Howard-14th-Earl-of-Arundel-4th-Earl-of-Surrey-and-1st-Earl-of-Norfolk?sort=default&LinkID=mp00145&search=sas&sText=Thomas+Howard&role=sit&rNo=0 [Accessed 22 October 2014]
Figure 4.3 Thomas Howard, 14th Earl of Arundel, 4th Earl of Surrey and 1st Earl of Norfolk
Rubens, P. Thomas Howard, 14th Earl of Arundel, 4th Earl of Surrey and 1st Earl of Norfolk. (2014). [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw00193/Thomas-Howard-14th-Earl-of-Arundel-4th-Earl-of-Surrey-and-1st-Earl-of-Norfolk?sort=default&LinkID=mp00145&search=sas&sText=Thomas+Howard&role=sit&rNo=1 {Accessed 22 October 2014]
Figure 5.0 Flashing covering all exposed plaster.
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.174.
Figure 5.1 Building a wooden structure for the clay wall
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.178.
Figure 5.2 The wall in clay being built ontop of the wooden structure.
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.175.
Figure 5.3 Dividing the sculpt up into smaller pieces
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.173.
Figure 5.4 Removing the piece to be molded seperate
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.174.
Figure 5.5 The Floating process before (top) and after (bottom)
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.173.
Figure 5.6 Extra clay added that will be blended to make a smooth edge.
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.174.
Figure 6.0 Gait Analysis for Athletes
Memorial Hermann. (2013). Gait Analysis for Athletes. [online]. Available from: https://www.youtube.com/watch?v=O8fi0_KM4ss [Accessed 30 October 2014]
Figure 6.1 Visual3D gait analysis.avi.
hplcchmc. (2010). Visual3D gait analysis.avi. [online]. Available from: https://www.youtube.com/watch?v=MON0b3z_qCs [Accessed 30 October 2014]
Figure 6.2
Erenkural's channel. (2008). Bringing Gollum to Life. [online]. Available from: https://www.youtube.com/watch?v=f0Krx0ozjJA [Accessed 30 October 2014]
Figure 6.3
Movies coming soon. (2014). Dawn Of The Planet Of The Apes Featurette - Motion Capture. (2014) - Andy Serkis Sci-Fi Movie HD. [online]. Available from: https://www.youtube.com/watch?v=CGJxTYOkO7g [Accessed 30 October 2014]
Figure 6.4
The Daily. (2012). EXCLUSIVE: HOBBIT'S EFFECTS MAGIC. [online]. Available from: https://www.youtube.com/watch?v=EWQcgX108xw [Accessed 30 October 2014]
Figure 6.5
Media Magik Entertainment. (2009). Avatar Exclusive -Behind The Scenes (The Art of Performance Capture). [online] Available from: https://www.youtube.com/watch?v=P2_vB7zx_SQ [Accessed 30 October 2014]
Figure 6.6
EnlightenedIdiot. (2007). History of CGI. [online]. Available from: https://www.youtube.com/watch?v=fSXhoCCggB8 [Accessed 30 October 2014]
Figure 6.7
ILMVisualFX.(2011).ILM - Animating Davy Jones and Crew for Pirates 3. [online]. Available from: https://www.youtube.com/watch?v=51Ffh2nbHnE [Accessed 30 October 2014]
Figure 6.8
WorldStarHipHopTV. (2014). Electronic Makeup Digital, Dynamic Make-Up Now Possible With Real-Time Face Tracking & Projections!. [online] Available from: https://www.youtube.com/watch?v=1bOlxJ7K0ls [Accessed 30 October 2014]
Image Refrence List.
Figure 10.0
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.79.
Figure 10.1 Brad Pitt in aged prosthetic pieces
Still of Brad Pitt and Taraji P. Henson in The Curious Case of Benjamin Button. (2010). [online image]. Available from: http://www.imdb.com/media/rm1070235904/tt0421715?ref_=ttmi_mi_all_sf_1 [Accessed 20 November 2014]
Figure 10.2
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.80.
Figure 10.3
Morawetz, T. (2001). Making Faces, Playing God: identity and the art of transformational makeup. 1st ed. Austin, TX: University of Texas Press, p.160.
Figure 10.4
Morawetz, T. (2001). Making Faces, Playing God: identity and the art of transformational makeup. 1st ed. Austin, TX: University of Texas Press, p.160.
Figure 10.5
Morawetz, T. (2001). Making Faces, Playing God: identity and the art of transformational makeup. 1st ed. Austin, TX: University of Texas Press, p.163.
Figure 10.6
Morawetz, T. (2001). Making Faces, Playing God: identity and the art of transformational makeup. 1st ed. Austin, TX: University of Texas Press, p.163.
Figure 10.7
Morawetz, T. (2001). Making Faces, Playing God: identity and the art of transformational makeup. 1st ed. Austin, TX: University of Texas Press, p.171.
Figure 10.8
Morawetz, T. (2001). Making Faces, Playing God: identity and the art of transformational makeup. 1st ed. Austin, TX: University of Texas Press, p.172.
Figure 10.9
Morawetz, T. (2001). Making Faces, Playing God: identity and the art of transformational makeup. 1st ed. Austin, TX: University of Texas Press, p.174
Figure 10.1.0
Morawetz, T. (2001). Making Faces, Playing God: identity and the art of transformational makeup. 1st ed. Austin, TX: University of Texas Press, p.174.
Figure 10.1.1 Still from the film
Still of Brad Pitt in The Curious Case of Benjamin Button. (2008). [online image]. Available from: http://www.imdb.com/media/rm2530576896/tt0421715?ref_=ttmd_md_pv [Accessed 20 November 2014]
Figure 11.0
Eye Cream Reviews, (2013). Bags Under Eyes? Get Rid of those Puffy under eye bags with this Trick. [online image] Available at: http://www.eyecreamsrated.com/bags-under-eyes/ [Accessed 30 Sep. 2014].
Figure 11.1
Anti Aging Medical and Laser Clinic, (n.d.). Undereye Bags, Skin Condition and Cosmetic Treatments - Anti Aging Vancouver. [online image] Available at: http://www.antiagingvancouver.com/skin-conditions/undereye-bags/ [Accessed 30 Sep. 2014].
Figure 11.2
Best anti wrinkle cream uk, anti wrinkle eye cream, lancome high resolution anti wrinkle cream, loreal revitalift deep-set wrinkles, Wrinkle Remover. (n.d.). [online image]. Available from: http://ubancream.atspace.co.uk/p.php?n=wrinkle-removing-cream-in-uk1 [Accessed 14 Novemeber 2014].
Figure 11.3
No Country for Old Humans .(2011). [online image]. Available from: http://www.rutherglencommunitycarers.co.uk/wrinkled%20old%20lady.jpg [Accessed 14 November 2014]
Figure 12.0 How not to life cast
Guillaume Vellard. (2011). Comment j'ai voulu mouler Mary… [online]. Available from: http://vimeo.com/21710023 [Accessed 13 November 2014]
Figure 12.1 Preparing the mold
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.130.
Figure 12.2 Cup to guide the alginate
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.130.
Figure 12.3 Alginate in the mold
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.131.
Figure 12.4 Mold off the ear
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.131.
Figure 12.5 Final cast of the ear
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.132.
Figure 12.6 Alginate applied to the body
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.135.
Figure 12.7 Finished cast of the front of the body
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.136.
Figure 12.8 Another view of the finished front cast
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.138.
Figure 12.9 Finished Figure
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.139.
Figure 12.1.0 Smoothing out the cast
Winston, S. and Spaulding fuller, B. (no date). STAN WINSTON: CHARCTER MAKEUP SCULPTING. [DVD]. Stan Winston School of Character Arts
Figure 12.1.1 Applying new plaster and reshaping
Winston, S. and Spaulding fuller, B. (no date). STAN WINSTON: CHARCTER MAKEUP SCULPTING. [DVD]. Stan Winston School of Character Arts
Figure 12.1.2 Shaping nostrils
Winston, S. and Spaulding fuller, B. (no date). STAN WINSTON: CHARCTER MAKEUP SCULPTING. [DVD]. Stan Winston School of Character Arts
Figure 12.1.3 Removing wrinkles
Winston, S. and Spaulding fuller, B. (no date) .STAN WINSTON: CHARCTER MAKEUP SCULPTING. [DVD]. Stan Winston School of Character Arts
Figure 13.0 Blocking out process - Start
Gorton, N. (2007). Creating character prosthetics in silicone, part 2. DVD. Chesham: Neil Gorton Prosthetics Studio.
Figure 13.1 Blocking out process - Half way through
Gorton, N. (2007). Creating character prosthetics in silicone, part 2. DVD. Chesham: Neil Gorton Prosthetics Studio.
Figure 13.2 Blocking out process - Final stage
Gorton, N. (2007). Creating character prosthetics in silicone, part 2. DVD. Chesham: Neil Gorton Prosthetics Studio.
Figure 13.3 Wooden tool blending texture
Gorton, N. (2007). Creating character prosthetics in silicone, part 2. DVD. Chesham: Neil Gorton Prosthetics Studio.
Figure 13.4 Right half blended out
Gorton, N. (2007). Creating character prosthetics in silicone, part 2. DVD. Chesham: Neil Gorton Prosthetics Studio.
Figure 13.5 Blended out forms
Gorton, N. (2007). Creating character prosthetics in silicone, part 2. DVD. Chesham: Neil Gorton Prosthetics Studio.
Figure 13.6 Neil Gortons’ sculpting tools
Gorton, N. (2007). Creating character prosthetics in silicone, part 2. DVD. Chesham: Neil Gorton Prosthetics Studio.
Figure 13.7 Serrated kidney
Gorton, N. (2007). Creating character prosthetics in silicone, part 2. DVD. Chesham: Neil Gorton Prosthetics Studio.
Figure 13.8 Texture created by the serated side
Gorton, N. (2007). Creating character prosthetics in silicone, part 2. DVD. Chesham: Neil Gorton Prosthetics Studio.
Figure 13.9 Texture using the smooth side
Gorton, N. (2007). Creating character prosthetics in silicone, part 2. DVD. Chesham: Neil Gorton Prosthetics Studio.
Figure 13.1.0 Plastic and a tooth pick to create pores
Gorton, N. (2007). Creating character prosthetics in silicone, part 2. DVD. Chesham: Neil Gorton Prosthetics Studio.
Figure 13.1.1 Plastic and tooth pick creating wrinkles
Gorton, N. (2007). Creating character prosthetics in silicone, part 2. DVD. Chesham: Neil Gorton Prosthetics Studio.
Figure 13.1.2 Texture created by serrated rake tool
Gorton, N. (2007). Creating character prosthetics in silicone, part 2. DVD. Chesham: Neil Gorton Prosthetics Studio.
Figure 13.1.3 Wire brush softening out texture
Gorton, N. (2007). Creating character prosthetics in silicone, part 2. DVD. Chesham: Neil Gorton Prosthetics Studio.
Figure 13.1.4 Monster clay
Monster makers. (2014). Monster Clay - (5 lb. Block) - Clay Mediums - SCULPTING & MOLDING - The Monster Makers. [online image] Available from: http://www.monstermakers.com/product/monster-clay-premium-grade-html [Accessed 7 Oct. 2014].
Figure 13.1.5
Faraut, P. (dir.) (no date) THE ART OF SCULPTING VOLUME 2: EXPRESSIONS AND FACIAL CONSTRUCTION. [DVD]. PCF Studio
Figure 13.1.6
Faraut, P. (dir.) (no date) THE ART OF SCULPTING VOLUME 2: EXPRESSIONS AND FACIAL CONSTRUCTION. [DVD]. PCF Studio
Figure 13.1.7
Faraut, P. (dir.) (no date) THE ART OF SCULPTING VOLUME 2: EXPRESSIONS AND FACIAL CONSTRUCTION .[DVD]. PCF Studio
Figure 13.1.8 Le beau touche
Chavant Clay –Le Beau Touche. (no date). [online image]. Available from: http://www.mouldlife.net/chavant-clay----le-beau-touche-1177-p.asp [Accessed 1 December 2014]
Figure 14.0
Britney Spears before and after Photoshop. (2014) [online image]. Available from: http://viralscape.com/celebrities-before-after-photoshop/ [Accessed 28 October 2014]
Figure 14.1
Despina Vandi Before & After Photoshop. (2014). [online image]. Available from: http://viralscape.com/celebrities-before-after-photoshop/despina-vandi-before-after-photoshop/ [Accessed 28 October 2014]
Figure 14.2
George Clooney Before & After Photoshop. (2014). [online image]. Available from: http://viralscape.com/celebrities-before-after-photoshop/george-clooney-before-after-photoshop/ [Accessed 10 November 2014]
Figure 14.3
Jennifer Lawrence Before & After Photoshop. (2014). [online image]. Available from: http://viralscape.com/celebrities-before-after-photoshop/jennifer-lawrence-before-after-photoshop/ [Accessed 10 November 2014]
Figure 15.0 Style of Facial Hair
Five Elements of Facial Hair. (2013). [online image]. Available from: http://www.chartgeek.com/movember-beard-styles/ [Accessed 20 November 2014].
Figure 16.0
The presentation lessons of Oprah Winfrey. (2014). [online image]. Available from: http://www.mikeconsol.com/blog/comments/the-presentation-lessons-of-oprah-winfrey/ [Accessed 20 November 2014].
Figure 16.1
Tina Turner. (2014). [online image]. Available from: http://promfih.com/tina-turner.html [Accessed 20 November 2014].
Figure 16.2
Dear God, Tyra Banks Made Up Another Word. (2012). [online image]. Available from: http://www.thegloss.com/2012/05/16/beauty/dear-god-tyra-banks-made-up-another-word-311/ [Accessed 20 November 2014].
Figure 16.3
Rihanna. (2014). [online image]. Available from: http://www.6sqft.com/rihanna-caught-eyeing-this-full-floor-apartment-at-one-york/rihanna/ [Accessed 20 November 2014].
Figure 16.4
Cynthia Bailey. (2013). [online image]. Available from: http://rollingout.com/beauty/real-housewives-of-atlanta-season-6/2/ [Accessed 21 November 2014]
Figure 16.5
Cynthia Bailey. (2013). [online image]. Available from: http://rollingout.com/beauty/real-housewives-of-atlanta-season-6/2/ [Accessed 21 November 2014]
Figure 16.6
Porsha Stewart. (2013). [online image]. Available from: http://rollingout.com/beauty/real-housewives-of-atlanta-season-6/3/ [Accessed 21 November 2014]
Figure 16.7
Porsha Stewart. (2013). [online image]. Available from: http://rollingout.com/beauty/real-housewives-of-atlanta-season-6/3/ [Accessed 21 November 2014]
Figure 16.8
Kandi Burrus. (2013). [online image]. Available from: http://rollingout.com/beauty/real-housewives-of-atlanta-season-6/4/ [Accessed 21 November 2014]
Figure 16.9
Kandi Burrus. (2013). [online image]. Available from: http://rollingout.com/beauty/real-housewives-of-atlanta-season-6/4/ [Accessed 21 November 2014]
Figure 16.1.0
Bollywood’s Make-up Mantra. (2013). [online image]. Available from: https://beautybyzara.wordpress.com/2013/10/02/making-up-in-bollywood/ [Accessed 2 December]
Figure 16.1.1
Bollywood’s Make-up Mantra. (2013). [online image]. Available from: https://beautybyzara.wordpress.com/2013/10/02/making-up-in-bollywood/ [Accessed 2 December]
Figure 16.1.2
Bollywood’s Make-up Mantra. (2013). [online image]. Available from: https://beautybyzara.wordpress.com/2013/10/02/making-up-in-bollywood/ [Accessed 2 December]
Figure 17.0 Madonna 2013
No texting ... Madonna 'banned' from Alamo Drafthouse cinemas Yui Mok/PA. (2013). [online image]. Available from: http://www.theguardian.com/film/2013/oct/14/madonna-texting-12-years-a-slave [Accessed 10 Oct. 2014].
Figure 17.1 Oprah 2013
Oprah Winfrey Natural. (2013). [online image]. Available at: http://imgarcade.com/1/oprah-winfrey-black-and-white-2013/ [Accessed 10 Oct. 2014].
Figure 17.2 Marcia Cross 2004
Marcia Cross at event of Desperate Housewives. (2004). [online image]. Available at: http://www.imdb.com/name/nm0189220/ [Accessed 10 Oct. 2014].
Figure 17.3 Joan Cusack 2006
Joan Cusack at event of Friends with Money. (2006). [online image]. Available at: http://www.imdb.com/media/rm453352192/nm0000349?ref_=nmmi_mi_all_evt_60 [Accessed 10 Oct. 2014]
Figure 18.0 Example of Brian Best's work
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press, p.217.
Figure 18.1 ‘Endless Plains’
Morgon, P. Endless Plains. (2014). [online image]. Available from: http://lifecast.co.uk/portfolio/polly-morgan-endless-plains/ [Accessed 2 December 2014]
Figure 18.2 Got to dance- Old Age Prosthetics “Pearl & Bert
Got to dance- Old Age Prosthetics “Pearl & Bert”. (2014). [online image]. Available from: http://lifecast.co.uk/portfolio/got-dance-old-age-prosthetics-pearl-bert/ [Accessed 2 December 2014]
Figure 18.3 A Creature Creation by KNB EFX Group.
Creature Creations. (2014). [online image]. Available from: http://www.knbefxgroup.com/#!untitled/zoom/c7id/image1et6 [Accessed 2 December 2014]
Figure 18.4 Human Replicas made by KNB EFX Group.
Human Replicas. (2014). [online image]. Available from: http://www.knbefxgroup.com/#!untitled/zoom/c1678/imageawv [Accessed 2 December 2014]
Figure 19.0
Rubens, P. Raising of the Cross. (1610-1611). [online image]. Available from: http://www.artbible.info/art/large/519.html [Accessed 2 December 2014]
Figure 19.1
Peter Paul Rubens. (no date). [online image]. Available from: http://www.nationalgallery.org.uk/artists/peter-paul-rubens [Accessed 2 December 2014]
Figure 19.2
Rubens, P. Minerva protects Pax from Mars ('Peace and War'). (1629-1630). [online image]. Available from: http://www.nationalgallery.org.uk/paintings/peter-paul-rubens-minerva-protects-pax-from-mars-peace-and-war [Accessed 2 December 2014]
Figure 19.3
Rubens, P. Portrait of Ludovicus Nonnius. (1627). [online image]. Available from: http://www.nationalgallery.org.uk/paintings/peter-paul-rubens-portrait-of-ludovicus-nonnius [Accessed 2 December 2014]
Figure 19.4
The stuarts. (n.d). [online image]. Available from: http://www.royal.gov.uk/HistoryoftheMonarchy/KingsandQueensoftheUnitedKingdom/TheStuarts/TheStuarts.aspx [Accessed 2 December 2014]
Figure 20.0
Queen Elizabeth I. (1560). [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw02071/Queen-Elizabeth-I?search=sp&sText=Queen+Elizabeth+I+By+Unknown+English+artist+1560&firstRun=true&rNo=0 [Accessed 2 December 2014]
Figure 20.1
King Henry VIII. (1535-1540). [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw03084/King-Henry-VIII?search=sp&sText=King+Henry+VII+by+Unknown+Anglo-Netherlandish+artis&firstRun=true&rNo=2 [Accessed 2 December 2014]
Figure 20.2
Eworth, H. Queen Mary I. (1554). [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw04265/Queen-Mary-I?search=sp&sText=Queen+Mary+I+By+Hans+Eworth+1554&firstRun=true&rNo=0 [Accessed 2 December 2014]
Figure 20.3
Rubens, P. Thomas Howard, 14th Earl of Arundel, 4th Earl of Surrey and 1st Earl of Norfolk. (1629). [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw00193/Thomas-Howard-14th-Earl-of-Arundel-4th-Earl-of-Surrey-and-1st-Earl-of-Norfolk?LinkID=mp00145&search=sas&sText=thomas+howard+&role=sit&rNo=1 [Accessed 2 December 2014]
Figure 20.4
Mytens, D. King James I of England and VI of Scotland. (1621). [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw03419/King-James-I-of-England-and-VI-of-Scotland?search=sp&sText=King+James+VI+&I_King_of_Scottland_By_Daniel_Mytens_1621=&firstRun=true&rNo=4 [Accessed 2 December 2014]
Figure 20.5
Studio of Allan Ramsay. Sophia Charlotte of Mecklenburg-Strelitz. (1761-1762). [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw01248/Sophia-Charlotte-of-Mecklenburg-Strelitz?LinkID=mp00845&search=sas&sText=Sophia+Charlotte+of+Mecklenburg-strelitz&role=sit&rNo=0 [Accessed 2 December 2014]
Figure 20.6
Walker, R. Oliver Cromwell. (1649). [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw01594/Oliver-Cromwell?search=sp&sText=Oliver+Cromwell+By+Robert+Walker&firstRun=true&rNo=0 [Accessed 2 December 2014]
Figure 20.7
William Cecil, 1st Baron Burghley. (1560s). [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw00916/William-Cecil-1st-Baron-Burghley?LinkID=mp00645&search=sas&sText=William+Cecil%2C+1st+Baron+Burghley&role=sit&rNo=0 [Accessed 2 December 2014]
Figure 20.8
Northcote, J. Henry Fuseli. (1778). [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw07386/Henry-Fuseli?search=sp&sText=Henry+Fuseli+By+Jame+Northcote&firstRun=true&rNo=0 [Accessed 2 December 2014]
Figure 20.9
Herkomer, H. and Goodall, F. Horatio Herbert Kitchener, 1st Earl Kitchener of Khartoum. (1890). Available from: http://www.npg.org.uk/collections/search/portrait/mw03668/Horatio-Herbert-Kitchener-1st-Earl-Kitchener-of-Khartoum?LinkID=mp02564&search=sas&sText=Horatio+Herbert+Kitchener%2C+1st+Earl+Kitchener+of+Khartoum&role=sit&rNo=0 [Accessed 2 December 2014]
Figure 20.1.0
Partridge, J. William Lamb, 2nd Viscount Melbourne. (1844). [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw04359/William-Lamb-2nd-Viscount-Melbourne?search=sp&sText=William+Lamb%2C+2nd+Viscount+Melbourne+By+John+Partridge&firstRun=true&rNo=0 [Accessed 2 December 2014]
Figure 20.1.2
Singer Sargent, J. Elizabeth Garrett Anderson. (1900). [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw242595/Elizabeth-Garrett-Anderson?search=sp&sText=Elizabeth+Garrett+Anderson++By+John+Singer+Sargent&firstRun=true&rNo=0 [Accessed 2 December 2014]
Figure 20.1.3
Millais, J. Benjamin Disraeli, Earl of Beaconsfeild. (1881). [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw00408/Benjamin-Disraeli-Earl-of-Beaconsfield?LinkID=mp00307&search=sas&sText=Benjamin+Disraeli&role=sit&rNo=12 [Accessed 2 December 2014]
Figure 20.1.4
Brackenbury, G. Emmeline Pankhurst. (1972). [online image]. Available from: http://www.npg.org.uk/collections/search/portrait/mw04857/Emmeline-Pankhurst?LinkID=mp03440&search=sas&sText=Emmeline+Pankhurst&role=sit&rNo=0 [Accessed 2 December 2014]
Figure 21.0
Tindall, P. (2014). BA (Hons) Make-up for Media and Performance. Arts University Bournemouth. 20 October.
Figure 21.1
Tindall, P. (2014). BA (Hons) Make-up for Media and Performance. Arts University Bournemouth. 20 October.
Figure 21.2
Tindall, P. (2014). BA (Hons) Make-up for Media and Performance. Arts University Bournemouth. 20 October.
Figure 21.3
Tindall, P. (2014). BA (Hons) Make-up for Media and Performance. Arts University Bournemouth. 20 October.
Figure 21.4
Tindall, P. (2014). BA (Hons) Make-up for Media and Performance. Arts University Bournemouth. 20 October.
Figure 21.5
Tindall, P. (2014). BA (Hons) Make-up for Media and Performance. Arts University Bournemouth. 20 October.
Figure 21.6
Tindall, P. (2014). BA (Hons) Make-up for Media and Performance. Arts University Bournemouth. 20 October.
Figure 22.0
Cotrill, L. (2014). BA (Hons) Make-up for Media and Performance. Arts University Bournemout. 14 October.
Figure 22.1
Cotrill, L. (2014). BA (Hons) Make-up for Media and Performance. Arts University Bournemout. 14 October.
Figure 22.2
Cotrill, L. (2014). BA (Hons) Make-up for Media and Performance. Arts University Bournemout. 14 October.
Figure 22.3
Cotrill, L. (2014). BA (Hons) Make-up for Media and Performance. Arts University Bournemout. 14 October.
Figure 22.0
Alas, poor Yorick. The bones of the human skull. (2012). [online image]. Available from: http://hair-and-makeup-artist.com/facial-anatomy-proportions/ [Accessed 19 Oct. 2014].
Figure 22.1
Le Quesne, S. (2005). The Complete Guide to Make-up. UK: Cengage Learning, p22.
Figure 22.2
Le Quesne, S. (2005). The Complete Guide to Make-up. UK: Cengage Learning, p22.
Figure 22.3
Some of the muscles found in the face. (2012). [online image]. Available from: http://hair-and-makeup-artist.com/facial-anatomy-proportions/ [Accessed 19 Oct. 2014].
Figure 22.4
Le Quesne, S. (2005). The Complete Guide to Make-up. UK: Cengage Learning, p24.
Arpita. (2014). 10 Best Inspiring Makeup Tips From Mickey Contractor. [online]. Available from: http://www.stylecraze.com/articles/10-best-inspiring-makeup-tips-from-mickey-contractor/ [Accessed 2 December 2014]
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Faraut, P. (dir.) (no date) THE ART OF SCULPTING VOLUME 2: EXPRESSIONS AND FACIAL CONSTRUCTION. [DVD]. PCF Studio
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Figure 7.0 Example of dry skin cause by sun damage
Slide show: Sun damage - Mayo Clinic. (2014) [online image] Available from: http://www.mayoclinic.org/sun-damage/sls-20076973 [Accessed 3 Nov. 2014].
Figure 7.1 1st degree sun burn
Burn Classification. (2014). [online image] Available at: http://hospitals.unm.edu/burn/classification.shtml [Accessed: 12 October 2014].
Figure 7.2 2nd degree sunburn
Is allowing your child to get second degree burns from sunburn child abuse? (2012). [online image]. Available from: http://www.sodahead.com/living/is-allowing-your-child-to-get-second-degree-burns-from-sunburn-child-abuse/question-2628897/?link=ibaf&q=&esrc=s [Accessed: 12 October 2014]
Figure 7.3 3rd degree sunburn
Sex Seekers, Sex Bans and Near Death Experiences. 3 August 2010. The feral scribe chronicles of a wayfaring journalist. (2014). [online image]. Available from: http://www.theferalscribe.com/featured/seeking-sex-sex-bans-and-near-death-experiences.html [Accessed 3 November 2014]
Figure7.4
Actinic keratoses are dry scaly patches of skin caused by damage from years of sun exposure. (2014). [online image]. Available from: http://www.nhs.uk/conditions/solar-keratosis/pages/introduction.aspx [Accessed 3 November 2014]
Figure 7.5
7 Identical Twins: Smokers Vs. Non-Smokers. (2014). [online image]. Available from: http://www.opposingviews.com/i/gallery/entertainment/7-identical-twins-smokers-vs-non-smokers [Accessed 4 November 2014]
Figure 7.6
7 Identical Twins: Smokers Vs. Non-Smokers. (2014). [online image]. Available from: http://www.opposingviews.com/i/gallery/entertainment/7-identical-twins-smokers-vs-non-smokers [Accessed 4 November 2014]
Figure 7.7
7 Identical Twins: Smokers Vs. Non-Smokers. (2014). [online image]. Available from: http://www.opposingviews.com/i/gallery/entertainment/7-identical-twins-smokers-vs-non-smokers [Accessed 4 November 2014]
Figure 7.8
7 Identical Twins: Smokers Vs. Non-Smokers. (2014). [online image]. Available from: http://www.opposingviews.com/i/gallery/entertainment/7-identical-twins-smokers-vs-non-smokers [Accessed 4 November 2014]
Figure 7.9
Facial redness. (2014). [online image]. Available from: http://dermnetnz.org/reactions/alcohol.html [Accessed 4 November 2014]
Figure 7.10
The faces of drug arrests. (2014). [online image] Available from: http://time.com/35726/these-photos-show-how-heroin-cocaine-and-oxycodone-change-your-appearance-over-time/ [Accessed 4 November 2014]
Figure 7.11
The faces of drug arrests. (2014). [online image] Available from: http://time.com/35726/these-photos-show-how-heroin-cocaine-and-oxycodone-change-your-appearance-over-time/ [Accessed 4 November 2014]
Figure 7.12
The faces of drug arrests. (2014). [online image] Available from: http://time.com/35726/these-photos-show-how-heroin-cocaine-and-oxycodone-change-your-appearance-over-time/ [Accessed 4 November 2014]
Figure 7.13
[For Healthy Lifestyle] (2014). [online image]. Available from: http://www.forhealthylifestyle.com/matthew-mcconaughey-reveals-how-he-lost-23kg-for-his-role-in-dallas-buyers-club/ [Accessed 4 November 2014]
Figure 7.14
Movie Madness: Actors Gaining and Losing Weight for Roles. (2014). [online image]. Available from: http://calorielab.com/news/2014/01/17/movie-madness-actors-gaining-and-losing-weight-for-roles/ [Accessed 4 November 2014]
Figure 8.0
DARK CIRCLES, BAGS, AND OTHER SIGNS OF AGING EYES. (2013). [Blog] Audubon Dermatology. Available at: http://audubondermatology.com/dark-circles-bags-and-other-signs-of-aging-eyes/ [Accessed 30 Sep. 2014].
Figure 8.1
DARK CIRCLES, BAGS, AND OTHER SIGNS OF AGING EYES. (2013). [Blog] Audubon Dermatology. Available at: http://audubondermatology.com/dark-circles-bags-and-other-signs-of-aging-eyes/ [Accessed 30 Sep. 2014].
Figure 8.2
DARK CIRCLES, BAGS, AND OTHER SIGNS OF AGING EYES. (2013). [Blog] Audubon Dermatology. Available at: http://audubondermatology.com/dark-circles-bags-and-other-signs-of-aging-eyes/ [Accessed 30 September 2014].
Figure 8.3
Davis, G. and Hall, M. 2012. The Makeup Artist Handbook. 2nd ed. Burlington: Taylor & Francis, p.23 &24.
Figure 9.0
Woodward, J. (2013). Ageing as Timeless. [Blog] A conversation with James Woodward. Available at: http://jameswoodward.wordpress.com/2013/01/08/ageing-as-timeless/ [Accessed 30 Sep. 2014].
Figure 9.1
Debreceni, T. (2013). Special Makeup Effects For Stage and Screen; Making and Applying Prosthetics. 2nd ed. Burlington: Focal Press.
Figure 9.2
Taylor, K. (2000) Forensic Art and Illustration. [Kindle e-book]. Available from: http://www.amazon.co.uk/Forensic-Art-Illustration-Karen-Taylor-ebook/dp/B001C81FMG/ref=sr_1_1_twi_2?ie=UTF8&qid=1413737671&sr=8-1&keywords=Forensic+Art+and+Illustration++By+Karen+T.+Taylor [Accessed 19 October 2014]
Figure 9.3
Taylor, K. (2000) Forensic Art and Illustration. [Kindle e-book]. Available from: http://www.amazon.co.uk/Forensic-Art-Illustration-Karen-Taylor-ebook/dp/B001C81FMG/ref=sr_1_1_twi_2?ie=UTF8&qid=1413737671&sr=8-1&keywords=Forensic+Art+and+Illustration++By+Karen+T.+Taylor [Accessed 19 October 2014]