Professional Make-up Project
Kate Garrett
Theatrical Shoot Logistics & Designs.
Final Designs Ariel.
Call Sheet.
Very strong shimmer highlights - All the strong nude areas. To enhance Liv's oval face shape and bone structure.
A mix of a blue and oranged tone lip stick to both enhance her blue eyes but not clashin with the red hair flower braid.
Here I have used a combination of deep blue pigments then a sky and light turquoise pressed eyeshadow to make the eyes a focal point. Blended very softly on the outer edge but harsher in the dark tone. Thin line of liner to define the eyes and a non-clusmpy mascara very lightly applied.
The thicker brows but not extrenly sharpe defined brows to bring a comtempoary look to the makeup without it looking too high fashion.
The complexion is very smooth and pale (historical influence), but with a underlying shimmer to it so under the lights it catches and produces a golden glow look.
Contouring is quiet strong as under the lights alot of the colour will be bleached out, also it needs to work with the strong highlight to balance out this look.
The flower crown inspriation came from Anderson's text and the colours from her flowers in the garden and sunsets. These are plaits that one side it pulled further out to create the petals they are then wound up and pined into place.
Red - Pre sculpted on wefts (made my me)attatched to the band to create the crown.
Blonde - Liv's hair sculpted into flowers to contarst with the flower crown and bring texture to the look.
I am creating a wavey texture (with beach wavers) for the half thats down, research says this is the txture accossiated with mermaids. It shows of the tones in lives hair and add movement to the look.
The central parting and smooth, non-volumed front style had been taken from the 1830's hairstyles and the historical refernce for this look.
Final Designs Sebastian.
This face paint was inspried by the 1 sea body paitning image as I like the movment created in the piece. Here i have use 4 tones to create my own version of the sea. Each tone bring the point into the foreground or backgroun dhtis is desing to bring depth to the image.
Along the bottom it going into the tone blending into white which then covers the body that is on view from the costume.
This is created with heated rollers, to make the volume and curls working with emma short hair the is making a big volumous texture for the crab to sit upon.
This is a inche wide section from the front of the head (following emma natural parting) that is finger waves bringing it forward onto the face to over lap the hair line on the top and to finish on the cheekbone below the temple.
The crab is to be pinned in on the back scetion of the curls then then curls behind pinned to to meet the base. The plaits have wire in them so they are easy to manipulate into the position required and pinned into the hair.
BEWARE it is synthetic hair so I need to be very carefull and try not to handle it too much as it doen't brush out and restyle easily.
Rimmel Gel eyeliner in black for lining the eyes.
Mac prep and prime in lisght boost for conealing under the eyes.
Inglot loose pigment eyeshadow in shade 32 fo rthe crease of the shadow.
Mac studio fix, NC15 for the base set with kryolan translucent powder.
Crown eyeshadow pallet, These 3 blues worked as the basis for the eyes.
Sarahara is used for contouring as it wasn't to heavy for her skin. Romantic was a lovely pink peachy colour to apply on the cheeks and highlight was used for highlighting the cheekbones.
other products:
Kryolan mascara in back - for the eyes
Brow gel - clear from m&s
Urban decay brow kit - honey brown powder to fill in the brows
Mac Strobe Cream
Mix of russian red and chili from mac for the lips.
Nars blush in albotross shadow higlighter over the matt powder.
Above in the top of the tray are some of the mixted tones I used by mixing the blue and white, I also used them in their pure colours along with black to create the different tones.
Wold brothers fx paint - light blue.